![]() That is, for a new artist working at the most successful animation studio of all time, the experience could become very daunting very fast, but Larson’s tutelage went beyond simply teaching young artists how to hold a pencil-he made them comfortable, with themselves and their skills. Zielinski reiterated this, saying, “I genuinely feel he enjoyed being there around the students and the new hires and passing his knowledge on to us.” Not only did Larson have this gentle, patient, and personable temperament, but, as Jerry described, he was like the “mother hen,” and he had “the skills and that whole entire archive of history” to share. For Hahn and his fellow artists, Larson was “really the heart and soul of the place.” Aurora blu ray player windows 7 archive# In his book The Nine Old Men: Lessons, Techniques, and Inspiration from Disney's Great Animators, published by Taylor & Francis, former Larson trainee Andreas Deja lauded Larson’s efforts in, and importance to, animation. “Eric Larson’s final contribution to the art of animation was enormous,” Deja declared. Without his important involvement as a teacher and motivator, the film medium that Walt Disney had pioneered for many decades would have died in the 1970s.” “He made sure that a new generation of animators saw the significance, the potential, and the challenge of Disney personality animation. Jerry Rees knew all too well about Larson’s significance. He recalled the difficult time at the Studios when Larson was removed as director from the animated short The Small One (1978) and replaced by up-and-coming animator Don Bluth. “I have a feeling that if Eric had stayed and done that, I'll bet you Brad and Rebecca and me, and maybe Henry Selick and who knows…a bunch of people probably would have stayed at the Studios,” Jerry said.
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